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Laughter After : Humor and the Holocaust
Laughter After: Humor and the Holocaust argues that humor performs political, cultural, and social functions in the wake of horror.Co-editors David Slucki, Gabriel N. Finder, and Avinoam Patt have assembled an impressive list of contributors who examine what is at stake in deploying humor in representing the Holocaust.Namely, what are the boundaries? Clearly, there have been comedy and laughter in the decades since.However, the extent to which humor can be ethically deployed in representing and discussing the Holocaust is not as clear.This book comes at an important moment in the trajectory of Holocaust memory.As the generation of survivors continues to dwindle, there is great concern among scholars and community leaders about how memories and lessons of the Holocaust will be passed to future generations.Without survivors to tell their stories, to serve as constant reminders of what they experienced, how will future generations understand and relate to the Shoah?Laughter After is divided into two sections: "Aftermath" and "Breaking Taboos." The contributors to this volume examine case studies from World War II to the present day in considering and reconsidering what role humor can play in the rehabilitation of survivors, of Jews and of the world more broadly.More recently, humor has been used to investigate the role that Holocaust memory plays in contemporary societies, while challenging memorial conventions around the Holocaust and helping shape the way we think about the past.In a world in which Holocaust memory is ubiquitous, even if the Holocaust itself is inadequately understood, it is perhaps not surprising that humor that invokes the Holocaust has become part of the memorial landscape.This book seeks to uncover how and why such humor is deployed, and what the factors are that shape its production and reception.Laughter After will appeal to a number of audiences-from students and scholars of Jewish and Holocaust studies to academics and general readers with an interest in media and performance studies.
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Dangerous Jokes : How Racism and Sexism Weaponize Humor
People often get away with belittling others if they frame their speech as jokes-speech that would be condemned if stated seriously. "It's just a joke," they say. But what is different or special about joking? And if jokes about lawyers and politicians are morally acceptable, then what is wrong with joking about race or gender?Furthermore, if we may joke about a politician's shirts, may we joke about his weight?People who are targeted by demeaning jokes feel their impact but may not be able to pinpoint where the harm lies. Dangerous Jokes develops a novel, well-researched, and compelling argument that lays bare the power of demeaning jokes in ordinary conversations.Claire Horisk draws on her expertise in philosophy of language and on evidence from sociology, law and cognitive science to explain how the element of humor-so often used as a defence-makes jokes more potent than regular speech in communicating prejudice and reinforcing social hierarchies.She addresses the morality of telling, being amused by, and laughing at, derogatory jokes, and she gives a new account of listening that addresses the morality of listening to demeaning speech.She leaves us with no illusions about whether "it's just a joke" is an excuse for demeaning humor.
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Zen and the Art of Stand-Up Comedy
In this engaging and disarmingly frank book, comic Jay Sankey spills the beans, explaining not only how to write and perform stand-up comedy, but how to improve and perfect your work.Much more than a how-to manual Zen andthe Art of Stand-Up Comedy is the most detailed and comprehensive book on the subject to date.
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Group Activities for Social Emotional Learning using Sketch Comedy and Improv Games
Children with strong social-emotional skills are better able to cope with everyday challenges and benefit academically, professionally, and socially.But the benefits that can be derived from these skills can only be seen if children are given the opportunity to develop them. This accessible guide helps teach children to participate in social-emotional learning.Offering fun group activities including social skill-based improv games, participant written plays, and basic plays that can be transformed using the creative minds of children themselves.To increase participant comfort levels with these activities, the book allows for a graduated exposure of techniques, starting with improv trust building and joint focus games, and progressing to improvisation and writing sketches. Featuring additional downloadable content, including worksheets and lesson plans for classroom use, this is the perfect companion for educators and therapists.
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What causes laughter in comedy series?
Laughter in comedy series is often caused by clever wordplay, unexpected plot twists, and exaggerated physical comedy. Characters' reactions to absurd situations and their witty banter can also elicit laughter from the audience. Additionally, the use of comedic timing and well-executed comedic performances by the actors can contribute to the humor in a comedy series. Overall, the combination of these elements creates a lighthearted and entertaining atmosphere that prompts laughter from viewers.
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How can one categorize Nazi jokes and black humor?
Nazi jokes and black humor can be categorized as dark or gallows humor, which is a form of comedy that deals with serious, disturbing, and taboo subjects in a light-hearted or satirical manner. Nazi jokes often involve making fun of the atrocities committed by the Nazi regime, while black humor can encompass a wide range of dark and morbid topics. Both types of humor can be controversial and offensive to some, but they are often used as a way to cope with difficult or traumatic events by finding humor in the absurdity or darkness of the situation. It's important to note that these types of jokes should be approached with sensitivity and awareness of their potential to offend.
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How can a comedian remember his jokes?
A comedian can remember his jokes by practicing regularly and performing them in front of different audiences. Repetition helps to solidify the material in the comedian's memory. Some comedians also use techniques like visualization or creating mnemonic devices to help remember the order and content of their jokes. Additionally, recording performances and listening back to them can also aid in remembering the timing and delivery of the jokes.
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Which topics are suitable for stand-up comedy?
Topics that are suitable for stand-up comedy typically revolve around everyday life experiences, observations, and relatable situations. Common themes include relationships, family dynamics, work, social interactions, and pop culture. Comedians often draw humor from personal anecdotes, societal norms, current events, and cultural differences. Ultimately, any topic can be suitable for stand-up comedy as long as it is approached with wit, originality, and a sense of humor that resonates with the audience.
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Stand-up Comedy and Contemporary Feminisms : Sexism, Stereotypes and Structural Inequalities
What are the barriers to women’s participation in live comedy, and how are these barriers maintained in the digital era?In this book, Ellie Tomsett considers how the origins of stand-up comedy still impact on current live comedy production, and explains how the contemporary stand-up scene continues to reflect wider societal stereotypes about the capabilities of women. Using primary data collected from women-only comedy nights and immersive research with the UK Women in Comedy Festival in Manchester, Tomsett analyses examples of stand-up performed by contemporary comedians - including Bridget Christie, Luisa Omielan, Lolly Adefope and Gráinne Maguire - and provocatively questions how these performances relate to conceptions of feminist and postfeminist humour, as well as notions of backlash against contemporary feminisms.She focuses on live comedy that is explicitly feminist to consider how social attitudes to women, the increasing visibility of female labour outside the home, and the emergence of multiple (and sometimes contradictory) feminisms has influenced the comedy produced by women comedians in 21st century Britain.
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The Improv Handbook : The Ultimate Guide to Improvising in Comedy, Theatre, and Beyond
The Improv Handbook is the most comprehensive, smart, helpful and inspiring guide to improv available today.Applicable to comedians, actors, public speakers and anyone who needs to think on their toes, it features a range of games, interviews, descriptions and exercises that illuminate and illustrate the exciting world of improvised performance. First published in 2008, this second edition features a new foreword by comedian Mike McShane, as well as new exercises on endings, managing blind offers and master-servant games, plus new and expanded interviews with Keith Johnstone, Neil Mullarkey, Jeffrey Sweet and Paul Rogan. The Improv Handbook is a one-stop guide to the exciting world of improvisation.Whether you’re a beginner, an expert, or would just love to try it if you weren’t too scared, The Improv Handbook will guide you every step of the way.
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Creating Comedy Narratives for Stage and Screen
This accessible and engaging text covering sketch, sitcom and comedy drama, alongside improvisation and stand-up, brings together a panoply of tools and techniques for creating short and long-form comedy narratives for live performance, TV and online. Referencing a broad range of comedy from both sides of the Atlantic, spanning several decades and including material on contemporary internet sketches, it offers all kinds of useful advice on creating comic narratives for stage and screen: using life experience as raw material; constructing comedy worlds; creating comic characters, their relationships and interactions; structuring sketches, scenes and routines; and developing and plotting stories. The book’s interviewees, from the UK and the USA, feature stand-ups, sketch comics, improvisers and TV comedy producers, and include Steve Kaplan, Hollywood comedy guru and author of The Hidden Tools of Comedy, Will Hines teacher and improviser from the Upright Citizens Brigade Theatre and Lucy Lumsden TV producer and former Controller of Comedy Commissioning for BBC. Written by “the ideal person to nurture new talent” (The Guardian), Creating Comedy Narratives for Stage & Screen includes material you won’t find anywhere else and is a stimulating resource for comedy students and their teachers, with a range and a depth that will be appreciated by even the most eclectic and multi-hyphenated writers and performers.
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Creating Comedy Narratives for Stage and Screen
This accessible and engaging text covering sketch, sitcom and comedy drama, alongside improvisation and stand-up, brings together a panoply of tools and techniques for creating short and long-form comedy narratives for live performance, TV and online. Referencing a broad range of comedy from both sides of the Atlantic, spanning several decades and including material on contemporary internet sketches, it offers all kinds of useful advice on creating comic narratives for stage and screen: using life experience as raw material; constructing comedy worlds; creating comic characters, their relationships and interactions; structuring sketches, scenes and routines; and developing and plotting stories. The book’s interviewees, from the UK and the USA, feature stand-ups, sketch comics, improvisers and TV comedy producers, and include Steve Kaplan, Hollywood comedy guru and author of The Hidden Tools of Comedy, Will Hines teacher and improviser from the Upright Citizens Brigade Theatre and Lucy Lumsden TV producer and former Controller of Comedy Commissioning for BBC. Written by “the ideal person to nurture new talent” (The Guardian), Creating Comedy Narratives for Stage & Screen includes material you won’t find anywhere else and is a stimulating resource for comedy students and their teachers, with a range and a depth that will be appreciated by even the most eclectic and multi-hyphenated writers and performers.
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Which comedian in Germany always has the quietest audience?
In Germany, the comedian who always has the quietest audience is likely Loriot. Loriot, whose real name was Vicco von Bülow, was known for his dry and subtle humor, which often required the audience to pay close attention to catch the nuances of his jokes. His comedic style was characterized by its understated delivery and clever wordplay, which often left the audience in silent appreciation of his wit. Loriot's ability to captivate his audience with his quiet humor has made him a beloved figure in German comedy.
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What are black humor jokes 2?
Black humor jokes are a type of humor that deals with serious, dark, or taboo subjects in a comedic way. These jokes often involve making light of subjects that are typically considered off-limits or sensitive, such as death, illness, or tragedy. Black humor jokes can be controversial and are not suitable for all audiences, but for some people, they provide a way to cope with difficult topics by finding humor in them. These jokes often rely on irony, sarcasm, and absurdity to create a comedic effect.
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Which target audience finds Mario Barth's humor funny?
Mario Barth's humor tends to resonate with a wide audience, but it primarily appeals to young adults and adults who enjoy observational comedy and relatable humor. His jokes often touch on everyday experiences, relationships, and cultural observations, making his comedy accessible to a broad range of people. Additionally, fans of stand-up comedy and those who appreciate lighthearted, playful humor are likely to find Mario Barth's comedy funny.
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What are the best black humor jokes?
The best black humor jokes are those that push the boundaries of what is considered socially acceptable or taboo, while still being clever and thought-provoking. These jokes often use irony, sarcasm, and dark subject matter to create humor that is both shocking and hilarious. It's important to remember that black humor can be controversial and offensive to some, so it's best to use discretion and consider your audience before sharing these types of jokes.
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