Products related to Age:
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Audience Genre Expectations in the Age of Digital Media
This volume bridges the divide between film and media studies scholarship by exploring audience expectations of film and TV genre in the age of digital streaming, using qualitative thematic and quantitative data-driven analyses.Through four ground-breaking surveys of audience members and content creators, the authors have empirically determined what audiences expect of various genres, the extent to which these definitions match those of scholars and critics, and the overall variation and complexity of audience expectations in the age of media abundance.They also examine audience habits and preferences, drawing from both theory and original empirical analyses, with a view toward the implications for the moving image in a rapidly changing media environment.The book draws from the data to develop a number of new concepts, including genre repertoire, genre hybridity, audience interest maximization, and variety seeking, and a new stage of genre development, genre bending.It is an ideal resource for students and scholars interested in the symbiotic relationship between audiences and the moving image products they consume, as well as the way the current digital media environment has impacted our understanding of film and TV genres.
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Audience Genre Expectations in the Age of Digital Media
This volume bridges the divide between film and media studies scholarship by exploring audience expectations of film and TV genre in the age of digital streaming, using qualitative thematic and quantitative data-driven analyses.Through four ground-breaking surveys of audience members and content creators, the authors have empirically determined what audiences expect of various genres, the extent to which these definitions match those of scholars and critics, and the overall variation and complexity of audience expectations in the age of media abundance.They also examine audience habits and preferences, drawing from both theory and original empirical analyses, with a view toward the implications for the moving image in a rapidly changing media environment.The book draws from the data to develop a number of new concepts, including genre repertoire, genre hybridity, audience interest maximization, and variety seeking, and a new stage of genre development, genre bending.It is an ideal resource for students and scholars interested in the symbiotic relationship between audiences and the moving image products they consume, as well as the way the current digital media environment has impacted our understanding of film and TV genres.
Price: 125.00 £ | Shipping*: 0.00 £ -
Golden Age Project D2 MKII Broadcast Mic
The Golden Age Project D2 Broadcast Mic is a premium-grade dynamic microphone with a cardioid polar pattern and adjustable frequency response. The D2 Broadcast Mic is ideal for podcasting gaming vocal demos live use and more. Its versatile design delivers a full-bodied sound with an impressive and natural transient response. The cardioid polar pattern is also great for minimising off-axis colouration rejecting unwanted sounds for improved performance. The D2 Microphone comes equipped with an internal windscreen and external pop filter for minimising sibilance and plosive noises for optimal audio fidelity.
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Dad Jokes : The Ultimate Collection for the Family Comedian
Child: Dad, I'm hungryDad: Hello hungry, I'm Dad!Celebrate the sense of humour that's so bad it's great with this ultimate collection of dad jokes.From cheesy one-liners to puns so terrible that they should probably be illegal, this book has it all - it's sure to make you laugh and cry.
Price: 6.99 £ | Shipping*: 3.99 £
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Up to what age do Elos' ears stand up?
Elos' ears typically start to stand up between 3 to 4 months of age. By the time they reach 6 months old, their ears should be fully erect. However, some Elos' ears may take longer to stand up, and it is not uncommon for them to still be floppy up to 9 months of age.
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At what age do the ears stand up?
The age at which a dog's ears stand up can vary depending on the breed. In general, most dogs' ears will start to stand up between 8-16 weeks of age. However, some breeds, like the German Shepherd, may take longer for their ears to stand up, sometimes not until they are 6-7 months old. It's important to remember that each dog is unique, and their ears may stand up at different times.
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What causes laughter in comedy series?
Laughter in comedy series is often caused by clever wordplay, unexpected plot twists, and exaggerated physical comedy. Characters' reactions to absurd situations and their witty banter can also elicit laughter from the audience. Additionally, the use of comedic timing and well-executed comedic performances by the actors can contribute to the humor in a comedy series. Overall, the combination of these elements creates a lighthearted and entertaining atmosphere that prompts laughter from viewers.
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How can a comedian remember his jokes?
A comedian can remember his jokes by practicing regularly and performing them in front of different audiences. Repetition helps to solidify the material in the comedian's memory. Some comedians also use techniques like visualization or creating mnemonic devices to help remember the order and content of their jokes. Additionally, recording performances and listening back to them can also aid in remembering the timing and delivery of the jokes.
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The Sovereign Trickster : Death and Laughter in the Age of Duterte
In The Sovereign Trickster Vicente L. Rafael offers a prismatic view of the age of Rodrigo Duterte in the contemporary Philippines.Framing Duterte as a trickster figure who boasts, jokes, terrorizes, plays the victim, and instills terror, Rafael weaves together topics ranging from the drug war, policing, and extrajudicial killings to neoliberal citizenship, intimacy, and photojournalism.He is less concerned with defining Duterte as a fascist, populist, warlord, and traditional politician than he is with examining what Duterte does: how he rules, the rhetoric of his humor, his use of obscenity to stoke fear, and his projection of masculinity and misogyny.Locating Duterte's rise within the context of counterinsurgency, neoliberalism, and the history of electoral violence, while drawing on Foucault’s biopower and Mbembe’s necropolitics, Rafael outlines how Duterte weaponizes death to control life.By diagnosing the symptoms of the authoritarian imaginary as it circulates in the Philippines, Rafael provides a complex account of Duterte’s regime and the social conditions that allow him to enjoy continued support.
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The Age of Irreverence : A New History of Laughter in China
The Age of Irreverence tells the story of why China’s entry into the modern age was not just traumatic, but uproarious.As the Qing dynasty slumped toward extinction, prominent writers compiled jokes into collections they called “histories of laughter.” In the first years of the Republic, novelists, essayists and illustrators alike used humorous allegories to make veiled critiques of the new government.But, again and again, political and cultural discussion erupted into invective, as critics gleefully jeered and derided rivals in public.Farceurs drew followings in the popular press, promoting a culture of practical joking and buffoonery.Eventually, these various expressions of hilarity proved so offensive to high-brow writers that they launched a concerted campaign to transform the tone of public discourse, hoping to displace the old forms of mirth with a new one they called youmo (humor). Christopher Rea argues that this period—from the 1890s to the 1930s—transformed how Chinese people thought and talked about what is funny.Focusing on five cultural expressions of laughter—jokes, play, mockery, farce, and humor—he reveals the textures of comedy that were a part of everyday life during modern China’s first “age of irreverence.” This new history of laughter not only offers an unprecedented and up-close look at a neglected facet of Chinese cultural modernity, but also reveals its lasting legacy in the Chinese language of the comic today and its implications for our understanding of humor as a part of human culture.
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Echo and Narcissus : Echolocating the Spectator in the Age of Audience Research
Echo and Narcissus: Echolocating the Spectator in the Age of Audience Research came about as a response to the recent shift of focus in the studies of cinema.While the seventies and the eighties were marked by increasingly complex theorisations of spectatorship, the last two decades have witnessed a turn towards ethnographic research into film reception.However, this long overdue turn towards the empirical viewer has not produced a genuinely broader scope of analysis.It has rather, all too hastily, consigned the spectator, a textually constructed viewing position, to oblivion, thanks to the concept's perceived hegemonic and totalising premise.Echo and Narcissus intervenes into this state of affairs by arguing for a productive nexus between theorisations of spectatorship and the currently more fashionable audience research.Petek maintains that an informed mapping of contemporary (and past) filmviewing practices still requires a spectatorial model and she offers such a model through a re-reading of Ovid's tale of Echo and Narcissus.She demonstrates that the myth's central role in traditional theorisations of spectatorship has not yet been properly reflected upon.Her critical recuperation of the Ovidian myth provides a revised model of the spectator-one with discursive access to all types of cinema, yet, flexible enough to accommodate a range of viewers' responses and their cultural diversity.
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Laurel & Hardy (Comedy) The Golden Age Of Hollywood Comedy 1975 UK vinyl LP UAG29676
LAUREL & HARDY The Golden Age Of Hollywood Comedy (1975 UK 21-track mono LP compilation of dialogue & songs from the original soundtracks to selected Hal Roach films including County Hospital Beau Hunks Sons Of The Desert & the all-time classic Way Out West. The gatefold picture sleeve is front laminated & shows minimal wear while the vinyl looks barely played UAG29676) 1. Introduction from Another Fine Mess2. Fresh Fish from Towed In A Hole3. Victim Of Depression from One Good Turn4. Furniture Payment from Thicker Than Water5. Let Me Call You Sweetheart from Swiss Miss6. What Flavours Have You from Come Clean
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Which topics are suitable for stand-up comedy?
Topics that are suitable for stand-up comedy typically revolve around everyday life experiences, observations, and relatable situations. Common themes include relationships, family dynamics, work, social interactions, and pop culture. Comedians often draw humor from personal anecdotes, societal norms, current events, and cultural differences. Ultimately, any topic can be suitable for stand-up comedy as long as it is approached with wit, originality, and a sense of humor that resonates with the audience.
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Which comedian in Germany always has the quietest audience?
In Germany, the comedian who always has the quietest audience is likely Loriot. Loriot, whose real name was Vicco von Bülow, was known for his dry and subtle humor, which often required the audience to pay close attention to catch the nuances of his jokes. His comedic style was characterized by its understated delivery and clever wordplay, which often left the audience in silent appreciation of his wit. Loriot's ability to captivate his audience with his quiet humor has made him a beloved figure in German comedy.
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What are black humor jokes 2?
Black humor jokes are a type of humor that deals with serious, dark, or taboo subjects in a comedic way. These jokes often involve making light of subjects that are typically considered off-limits or sensitive, such as death, illness, or tragedy. Black humor jokes can be controversial and are not suitable for all audiences, but for some people, they provide a way to cope with difficult topics by finding humor in them. These jokes often rely on irony, sarcasm, and absurdity to create a comedic effect.
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How do laughter lines form at a young age?
Laughter lines, also known as smile lines or nasolabial folds, can form at a young age due to a variety of factors. One common reason is repetitive facial expressions, such as smiling or laughing, which can cause the skin to crease and eventually lead to the formation of lines. Additionally, genetics, sun exposure, and lifestyle habits like smoking or poor skincare can also contribute to the early development of laughter lines. Maintaining a healthy lifestyle, protecting the skin from sun damage, and using skincare products with ingredients like retinol or hyaluronic acid can help prevent or minimize the appearance of these lines.
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